House painting plainly taught by Unknown

Author:Unknown
Language: eng
Format: epub, pdf
Tags: House painting. [from old catalog]
Publisher: New York, De Witt
Published: 1880-03-25T05:00:00+00:00

tine. The color can be varied by adding turpentine, so as to produce a very light tint if desired.

Another formula is, half a pound of dry Vandyke brown, a quarter of a pound of sal soda, and one ounce bi-chromate of potash, boiled in half a gallon of water.

CHERRY.

Venetian red, or Indian red, with vinegar or sour beer, adding a little glue water.

TELLOW.

Powdered aloes, or gamboge, mixed as above.

Stained wood of every kind must be varnished or oiled, after staining.

IMITATION OF MARBLE, AND OTHER STONES.

ITALIAN.

Use black for ground, grain with gold tint for brightest veins, while the other veining can be done with burnt sienna, yellow ochre, oil and turpentine.

VERD ANTiaUE.

Black ground, grain with white, green, and yellow ochre.

SIENNA.

Ground, raw sienna, and white; grain with raw sienna, raw umber, white and black; cloud over with faint buff tint, in slightly defined spots, with a sponge.

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